Mancunian Man Sees The Wizard Of Oz, Decides To Sue

Nothing Behind The Curtain, And The Pit Was Empty, Too      03/08/09

Mancunian Man Sees The Wizard Of Oz, Decides To Sue


Buying Choices

Adrian Bradbury went to see a stage performance of The Wizard Of Oz recently, expecting to see a "magical family musical", as advertised.

Instead of a "magical family musical", though, he got glorified karoaoke, performed to pre-recorded backing tracks.

So he sued.

And won.

According to a Times article:

All the songs and dance routines were performed to pre-recorded backing tracks. Mr Bradbury felt that if you had paid to see what was billed as a “magical family musical” you were entitled to expect live musicians. So he sued under the Trade Descriptions Act. And, astonishingly, he won. The Lowry argued that “133,000 theatregoers have enjoyed The Wizard of Oz at the Lowry and Mr Bradbury was the only person who expressed any concern with the lack of live music”. But the judge, in effect, said “so what?”. He ruled that Mr Bradbury’s personal expectation of hearing real musicians was genuine and reasonable. So the Lowry must now refund the £134.50 that he spent on tickets.

The issue of using a live orchestra, vs using synths or a pre-recorded backing track has been a thorny one for years. Musician unions have maneuvered to keep synthesizers from replacing their members in shows; performers like Milli Vanilli have been disgraced over their lip-syncing; and countless mishaps have exposed musicians that rely on backing tracks. 

There's no easy answer on the use of live musicians versus backing tracks, though.

Live music adds another level of excitement to musicals, because the music can shape the performances and vice versa. On the other hand, using pre-recorded tracks lets companies put on shows that might not otherwise be performed, in venues that might not be able to support the extra cost of live orchestra.

Have you ever felt ripped off over the use of pre-recorded tracks like this?

Image: Wikipedia Commons

Link:

James Lewin
Twitter @podcasting_news

z

More News: Like This
Even more news...

 



More Videos

Synthfest 2017: Korg UK Debut Reon Driftboxes Ahead of Distribution 

Aiming to bring them to the UK


Series: Live with LIVE - Part 3 -Preparing For Disaster 

What happens when it all goes wrong?


Presentation: Tim Exile and SLOO 

Shed Loads Of Oscillators


Sonc LAB: Roland SE-02 Analogue Boutique 

3 Osc Mono Synth in Boutique form