WNAMM11: Dave Smith And Roger Linn Create A New Analog Drum Machine
Tempest makes its debut at NAMM 13-Jan-11
Dave Smith Instruments has introduced Tempest, a new analog drum machine. Here's all the details....
Tempest is a collaboration between Smith and longtime friend and fellow instrument designer Roger Linn. Though they've consulted with each other on past projects, Tempest marks the first time a product will carry both the Dave Smith Instruments and Roger Linn Design logos. "If you're going to make a drum machine, who better to have in your corner than Roger Linn?" said Smith, referring to Linn's legacy as inventor of the digital drum machine.
Though Smith is also responsible for some fine drum machines--most notably Sequential's DrumTraks and Studio 440--Tempest is his first to utilize analog synthesis to generate the sounds. "We've designed a very flexible new synth voice for Tempest," said Smith. Linn added, "The design of Tempest reflects a rethinking of what a drum machine needs to be in the current era. It's not so much a drum machine as a new musical performance instrument for the creation, manipulation, and arrangement of beat-oriented music, with an intuitive and efficient use of human gestures."
Tempest's 16 velocity- and pressure-sensitive pads are arranged in an 8 x 2 array to facilitate both real-time and step entry of beats. Two pressure- and position-sensitive Note FX slide controllers provide a unique new method of performance and control.
"We're very excited about Tempest," said Smith. "It's an instrument with a lot of personality and it's great fun to play. It has been a long time since there has been anything new in the drum machine world."
Summary of Features
Each of the 6 analog voices has 2 analog oscillators plus 2 digital oscillators (with a large bank of included samples), Dave's classic analog low-pass filter with audio-rate modulation, an additional high-pass filter, analog VCA with feedback, 5 envelopes, 2 LFOs, an extraordinary variety of analog modulation routings, and stunning sonic quality, warmth and punch. Although optimized for drum sounds, it excels at tuned sounds as well, and even doubles as a 6-voice analog synth. In addition to the 6 direct voice outputs, there are stereo mix outputs and phones outputs, plus 2 inputs for foot switches or expression pedals, MIDI in/out and USB.
The performance-oriented operating system, 90 panel controls, and bright 256 x 64 OLED display work together to provide a tightly integrated, non-stop workflow: record a drumbeat in real-time, switch to another drumbeat and use the lit pads to record it using step programming, switch to another drumbeat and record tuned keyboard parts, use the 2 touch controllers to to record real-time note or beat-wide parameter animations, use the generous sound controls to edit any of the drum sounds, tweak the analog effects or drum mix, arrange beats in real time and record the live arrangement into a song, enter/exit Song mode and much more, all without ever stopping play.
16 pressure- and velocity-sensitive lit pads are arranged in a 2x8 configuration, providing intuitive access to all your fingers and providing the ideal compromise between the popular 4x4 pad arrangement (popular for real time programming ) and 1x16 arrangement (popular for step programming) because Tempest does both. The pads can be used to play 32 drum sounds (2 banks), mute/unmute the 32 sounds on playback, play and arrange 16 beats in real time, play one sound at 16 tunings (in a variety of scales) or 16 velocities, or as 16 time steps for step programming. The ROLL button permits creating drum rolls or repeated groove patterns by varying pad pressure as the beat records, and doubles as a momemtary "stutter" effect when the pads are assigned to play beats. Use the Sustain button on tuned parts like a keyboard's Sustain pedal, or to choke drum sounds or drumbeats when the pad is released.
Two pressure- and position-sensitive Note FX slide controllers permit real-time recording of note or beat-wide sound parameter changes into the drumbeat as you play. For example, record simultaneous filter frequency, tuning, envelope decay and pan changes for each note, or control similar parameters affecting the entire beat.
A variety of unique effects are provided while maintaining a pure analog signal path: 1) Stereo analog compressor and distortion circuits affect the stereo output mix, 2) beat-synced delay is achieved by generating additional delayed note events within the sequencer, and 3) a beat-synced "stutter" effect is created entirely within the sequencer by looping short portions of the drumbeat on demand.
The degree of swing timing can be adjusted in real time during playback. Roger used his entire bag of tricks to make the swing sound very human and natural.
Compact and portable: 15.4" L x 9" W x 2.5" H
Pricing and Availability: Tempest is expected to be available by June 2011 with a projected MAP of $1,999.00.
It's nice, but not in-depth enough to justify it's price tag. If you could filter each sample individually and set up simults and create complex sequences then yes the price would be justified. As it is though, it's just an analogue version of a traditional groovebox
Too bad it's not a VST plugin or software drum synth I could download from Rapidshare, that way it would have been free! All these synth makers are going back to hardware-based tone generators because software is so easily pirated online for mass distribution to anyone, nobody can pirate the Tempest unless it's a Chinese knock-off, its hardware-based! Just like rock bands being forced back into live gigs for a living, so little money in selling CD's, fans don't buy what they can pirate for free.
I never understand why these videos of high tech musical instruments, yet the presenters can't even get hold of a tie mic or a microphone, always hard to hear a word they're saying.
I want it so bad but I can't afford. And since it's analog it's price will never go down! Ugh! Someday, when I get a record contract, I will afford it and my music will be even more awesome!
That's fine too, I use computers with VSTs and sampling programs as well. So do the people who will buy and use this. However, there is much to be said about having a real true pure analog instrument. Nothing compares to the real thing.
You can get VSTs.... Exactly. Have you ever played a real MS20 or Minimoog? If you did, you'd realize just how different having the real thing is than the VST versions.
oh and what you said about it being costly/difficult to pick up an MS20 or minimoog? You can get vst's for both of those for free. plus they're polyphonic and have you can store presets.
This is potentially very deep and could be one for percussion obsessives, in a similar way to the R8, it is likely to reward users willingness to get in to the guts of the instrument. I would like to see more demo of the sequencer section, especially with busy hi hat patterns as this is an area that modern machines can fall down on, the x0x boxes just got that whole thing 'right''...also how is shuffle and groove implemented? Demos of the sequencer side would be nice!!
i could only imagine what nice fat sounds i could come up with, blade runner theme ? 2 grand is a deal, people get real cheap in hard times, they dont even want to spend 99 cents for a ipad app LOL
I own one. I've tried various types of hardware and software. trust me. this machine is completely different from others. sounds just fat and awesome. though you can make your own sounds in digital software with more flexibility, the appearance and the feel of sound is still different and you can't get that fresh and powerful sound by compressing, equalizing a digital samples or plugins. they're just different. I'm using analog and digital. just wanna enjoy both different characters though.
In honesty it sort of sounds like the Yamaha Electribe Er-1 I believe it was and that thing costed around $400 back then. you can probably find one now for like $200 or less.
This is why we are all going to hell. We do not recognize quality anymore, only the price and it has to be cheap. This is an analog synthesizer not a digital sampler. Marketed towards pro's and studio's. Shit at 2K it's not even that expensive. Whenever you go quality analog it will cost you (but it will not loose it's value, try and score a 20 year old MS20 or Minimoog and you'll see what I mean). Respect to Roger Linn.
Theese guys myst be blissfully unaware of the NI Maschine. Compare price and what you get for your money. I'm sorry, but the Tempest is obsolete imho.
The price is insane!!! Seems this time Roger and Dave making a product only for the Rich!!! So don t be surprised the kids keep on doing software ..Just too expensive for what it can!!!!
expensive, but good and beautiful. And made by bloody legends in the field of electronic music engineering. Sure, using some USB pads and Ableton is much less expensive, but there are pros and cons in the endless argument between real (analog or va) machines and DAWs. It is good that there are still machines like this around.
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