Since Auto-Tune was released in 1997, pitch correction has become a standard component to modern audio production, both as an effect and as a discrete processing tool. The technology has matured considerably since then, and pitch correction is now available in many different flavors. Hal Leonard believes that Pitch Correction Software Now! offers a practical guide full of tips and tricks designed to quickly get you up to speed with the most popular pitch-correction products available today. Here's what the company has to say about it...
From the popular and slick T-Pain Effect by pitch correction powerhouse iZotope to professional polyphonic pitch correction using Celemony's Melodyne DNA, this focused tutorial makes it easy to choose the best pitch-correction products for your music creation needs and helps you incorporate them into your music production workflow.
Accomplished music industry writer Max Mobley uses his easy-to-understand writing style and industry expertise to deliver a book that provides clear and concise practical advice in setting up and using several different pitch-correction plug-ins, including Antares' newest version of Auto-Tune, Auto-Tune Live. From live stages to home studios, whether you want a vocal effect or precise, transparent monophonic or polyphonic pitch processing, Pitch Correction Software Now! puts music producers of all levels on the fast track to mastering the many forms of modern pitch correction.
About the author
Max Mobley has been a music industry professional most of his life, working as a guitarist and live sound engineer, and writing and producing songs for film and television. As a product and support manager for E-MU Systems, Inc., he worked with many artists and producers, including Danny Elfman, Teddy Riley, and the Cure. As a product manager for Antares Audio Technologies – the developers of Auto-Tune – Mobley gained an insider's expertise into pitch correction technology. Mobley penned the popular "Riot Gear" column for Crawdaddy! magazine and has written dozens of reviews, interviews, and profiles for Premier Guitar magazine, including interviews with Adrian Belew, Imogen Heap, Alex Lifeson, Alan Parsons, and Grammy-winning producer Giles Martin (the Beatles "Love" show). Writing full-time from his studio in the Santa Cruz Mountains, Mobley is an avid Rush geek and has written extensively about the band.
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Gaz Williams has one and he brought it round
Seamless audio and MIDI switchover between computers