NAMM 2016: Abbey Road's Reverb In A Plug-in

Waves Audio announces the Waves Abbey Road Reverb Plates Plugin      22/01/16

NAMM 2016: Abbey Road's Reverb In A Plug-in


Buying Choices

Waves Audio has announced the Waves Abbey Road Reverb Plates plugin. Here's the story in their own words...

Introduced over half a century ago, plate reverbs have been a fixture of recorded music ever since. Used most prominently in the '60s and '70s by pioneering bands, including the Beatles and Pink Floyd, Abbey Road Studios' original reverb plates -- four EMT 140 units -- were first installed in 1957 to complement the fixed reverberation times of the studios' echo chambers. These beautiful-sounding plates, with a variable reverb time of up to six seconds, were then tweaked to perfection by Abbey Road's technical engineers. To keep noise to a minimum, EMI's Central Research Laboratories designed unique hybrid solid-state drive amps for Plates A, B and C. Plate D remained fully valve-powered on both drive and output stages, allowing a versatile array of sonic characteristics, from warm and dark to lush and smooth.

In each of these original plates, the stereo reverb effect is created by suspending a large sheet of metal with tensioned springs attached to each corner. A transducer injects the metal sheet with audio energy, which is picked up by two contact mics fixed to the surface of the plate. The reverb time can then be adjusted by using an internal damper, and all of this is contained within a large wooden unit.

These historic Abbey Road plates have been used on countless seminal pop, rock, classical and film recordings over the years, and continue to be used in all kinds of audio production to this day. Waves has now created meticulous models of these stunning and unique-sounding units, individually modeling the harmonic distortion of both the drive and output amps as well as the individual plate/damper behaviors.

Key features of the Waves Abbey Road Reverb Plates plugin:

  • Precise modeling of four legendary Abbey Road plates (EMT 140), each with its unique sonic character
  • A drive control to set the THD characteristics of the in/out amplifiers and the plate sheet itself
  • Ability to control the amount of analog noise and hum
  • Four original bass cut positions
  • Crosstalk between the stereo inputs to get a stereo leak effect


Pricing and Availability:
TBC

More information:

 



 


All NAMM 2016 News |  Videos |  Live Blogs |  Follow us on Twitter and Facebook
z

More From: WAVES
Even more news...

 



More Videos

Tim Exile Releases SLOR 

Shed Load Of Resonators


Sonic LAB: Prophet REV 2 Polysynth Review 

We take a look at Dave Smith's latest synth


Series: Live with LIVE - Part 3 -Preparing For Disaster 

What happens when it all goes wrong?


Sonic Lab Preview: Roland Boutique SE-02 

A quick look and listen to the new Studio Electronics collab