It seems ridiculous that you can get this much synth for under $500. Having recently been shopping around and playing anything from the Poly-evolver (way, way out of my price range), to Nords to the Virus to the Fantom, I settled on a Micron as giving the best pleasure-to-money ratio.
The flexibility offered by 3 oscillators, hard and soft synching, 6 different kinds of FM, 18 filters , and an extremely open mod-matrix is fantastic. From what I've seen so far, the Micron isn't a synth that will become stale in a few months. I have a microKorg, which was great to really learn analog synthesis on, but the Micron really says 'come play me' in a way the microKorg doesn't.
As far as the quality of sound coming out, I'm more than happy with it. I don't particularly care to compare it with vintage analogue synths because it isn't one. The audio coming out isn't thin or "digital" (whatever that means), and you can make a hell of a lot of noise with it.
The FX are nice, I have no problems there, nothing out of the ordinary, and I find that the patches often don't need much more than a little reverb or delay.
The sequencer/pattern player is a nice bonus. It's very basic compared to what you'll find on workstations, but it makes things gel: You make a bunch of precussion patches, and you can put them together in a drum loop then and there to see how they all sound together. Instant gratification! I haven't used this thing live, so I don't know how useful it would be in that situation, but it's definitely great for jamming at home.
So, there must be some catch? Well, yes, there are 2 things that aren't great about this synth, but whether you find them a real problem depends entirely on you. Firstly (the one you can't get around), the buttons on this are a little cheap. I would have been happy to pay an extra $20 if it meant that the control knob (a turn-and-push dealie) felt a little more solid. I don't live in fear of it breaking off in my hand, but it does mean that you have to be a little more careful taking it gigging or just generally throwing it around. Secondly, there aren't that many knobs on the front. In the ideal world, every synth would have a knob/slider for every parameter, but in this case, they have to charge you nearly double for that (when you buy an Ion, which doesn't have a sequencer in it). I found the menu system very easy to learn (1 day) and the shortcuts make editing pretty fast; but if you aren't good at this sort of thing, then you will get annoyed.
To sum up, if you want a nice VA synth that's small but won't limit your ideas, this is the one to go for. If you have 2 or 3 times as much cash, other options open for you, but I personally won't rush out to trade this in for a NordLead3 as soon as I have the extra 2 grand. To the people weighing up the Micron/MicroKorg choice: I have both, and they're both fun, but the Micron will do a lot more as a stand-alone and in the studio.
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