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Actually the axxe (at least the mk1) has two audio outputs a 1/4" low level output, and a RCA hi level output. The RCA jack has a lot more drive, and a popular mod was to either replace the rca with a second 1/4" out, or wire a second one in parallel with it.
I bought mine before I worked at moog.(Although I kept it) Dr. Dave Luce (head of engineering, and polymoog designer) was sure that they were using the patented moog filter as well (it was encased in a solid block of epoxy). He spent about 2 weeks melting it through with a torch. After the lawers got involved arp had to change the circuit (mk2) and pay damages.
Definately blows away the micromoog. There was an optional add on oscillator bank (external cabinet) that would add a second voice in 1-4 octaves and different waveforms (it fit other arp models as well) I forget the name (I sold mine) it might have been extravoice or something like that.
Great filter swept pink noise sounds, and since the filter will self oscillate and track the keyboard to makes a great sine wave generator, especially used with the regular osc. (Think killer flute sounds) It allows nice sqare and triangle mixing. IT does nice sax patches as well.
I still have mine in its original arp/anvil road case. The mk1 is gold on black (instead of orange) and had a +/- 1 octave pitch bend knob with a dead zone in the middle (it beat the hell out of the ppc.)
I never used it as my only synth, but in combination with the moog's, or sequential circuits pro-1 (with programmer) boards I used with it it was a killer. I had a Hohner keyboard that did strings chello's electric piano , and harpsichord (I forget the model) strings were much better that the arp string ensemble; a Wurlitzer EP200 electric piano, and a Hammond M3 with 122 Leslie.
They were selling new around here, for about $650 (New York) I bought mine from the singer in a band I was doing sound for $200 2 years old and mint condition with the road case.
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