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If I had a dime for every time that I've thanked myself for picking up my EIV (E-Synth, actually, with full specs)... well you know how the saying goes. Thus far this damned instrument has been the most versatile and balanced music creation tool that I've ever used, and it would take a lot to sway me from my fandom.
I mean... at the risk of reiterating everything that everyone else has posted in the emu's favor, everything - the sound quality, expandability, versatility (the modulation options are staggering) and expressive control (best digital filters I've yet heard? Better than my Nord Lead!!!) and the interface is... well... really comfy. Once you solidify a basic knowledge of the internal layout of EOS it truly is the simplest sampling OS in a hardware box that packs this much wallop... AKAI's stuff is notoriously confusing (although, to it's credit, some people absolutely swear by it).
Ultimately, if you're looking to buy a really intense and insane creative tool, save your time and money and forego both AKAI AND EMU... and go directly out to purchase a Kurzweil 2500 (or a used k2000RS if your budget is tight). No other sampler in history has even remotely come close to the Kurweil's sheer ability to manipulate sound... it truly is awe inspiring. It's place is, however, more that of the specialized beauty in your rig, as it doesn't compete with the polyphony, memory, or price of the EMU or AKAI lines.
If you're looking for an incredibly powerful machine to build a studio around, however, the EMU is your beast, hands down.
-Tim
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