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Synth Site: Ensoniq: ESQ1 Workstation: User reviews Add review

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Gas Station topic: Ensoniq
Average rating: 4.4 out of 5
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Slink a part-time user from UK writes:
Don't worry about the lack of filter knobs - just learn to use the MOD WHEEL properly! I've had mine for 2 weeks and every time I set aside half an hour to THINK about the sound I want (rather than random knob twiddling) the results are EXCELLENT. I bought mine for UK�130 - $200 to use with my MPC2. Same filter as Prophet VS (Curtis) with although not a screamer goes deep in a lovely 80's way - very much like a SIDStation. If you find one cheap, buy it! - as long as you have enough space (it's a big synth that you may have to move stuff around for). Great MIDI spec although my MPC doesn't do SYS EX so more limited. Heres the key - 8 VOICES - each voice can be played from any part! So Poly Pads on CH1, 303 style bass on CH2, vibes on CH3... Since I got it, Yama DX200 has just sat there...

Rating: 5 out of 5 posted Wednesday-May-21-03 at 14:08
Kevin Bush a part-time user from US writes:
This is an awesome synth. It can sound very digital or very analog, thanks to it's brutal resonant filters. I have had the unit for about 2 days. I already have the internal sequencer sync'd to acid, and I am working on new track. This is the most user friendly piece of pro musical equipment I have ever laid my hands on. Every fuction is laid out intuitively on the paging interface. I highly recommended this synth for any type of moody electronic music. It's just sounds serios and dark. Programming sounds couldn't be easier, and in my two days of ownership I have programm 20 great patches.

Rating: 5 out of 5 posted Friday-Oct-11-02 at 22:52
Ya Boi B a professional user from U.S.A. writes:
Thanx 2 Michael for tha info on replacing the battery... As for my esq1, I won it off of Ebay for a real good price (about $140 total)... With the exception of a missing hex screw for the top of the board and a couple minor scratches, my esq1 is in excellent shape. I was worried that I might receive my esq1 with a "low battery" indication, but I guess the battery in mine is either new or hasn't "drained out" yet. Anyhow, to sum it up, the esq1 is off tha chain!!!! Don't let anyone fool you into thinking that you can get the contemporary sounds of today out of it as you would with say a Korg Triton or a Roland Fantom.. But for warm analog PADS and phat analog BASSES, this thing is just off tha hook! Yeah, eventually i'd like to get tha real thing (a Moog Minimoog/Memorymoog for basses and say a Sequential Circuits Prophet 5 for the pads) but why spend over $1000.00 for either of those when you can get an esq1 for a FRACTION of that amount??? Plus you can edit/save 40 patches on board and another 80 on sound cartridges that can still be purchased today!! Case-in-point: Unless you are a knob fanatic and have money to burn, go for the esq1 if you are looking for tight (and very programmable) analog PAD & BASS sounds... And btw, the key action is LOVELY too (semi-weighted/bouncy like a 73 or 61-key Korg Triton).

Rating: 5 out of 5 posted Sunday-Jun-30-02 at 02:23
Michael Jones a hobbyist user from USA writes:
I had the Ensoniq ESQ-1 Low Battery problem and figured out a way to fix it and make it easier next time. I just got done writing a HOWTO. Visit: http://www.loveittodeath.com/synth/synth.shtml and select ESQ1 - Fix Low Battery. It took me awhile to figure it out and thought I would share my findings.

Rating: 4 out of 5 posted Thursday-Jun-27-02 at 21:13
jeremy a professional user from USA writes:
this synth DEFINED what would later be known as the Synth Workstation. on a budget you simply can't go wrong with this thing. i bought my esq and my mirage together with my paycheck from my first job when i was 15 in '93. i was new to midi and synths, and they were great units to learn on (though the mirage takes some serious patience).

i couldn't live without my esq. it's still my favorite synth. i also use a yamaha qy70, mirage, electribe sampler, yamaha dx100, and a few other things. every once in a while i feel a little confined by the sound of the esq and then a week later i feel inspired by it.

it does have a dark quality to it. tasteful use of fx can really spice it up. i use delay a lot, synced to the midi clock of the esq. instead of running the patches in stereo, i hard pan different patches different channels on my mixer, one running into the fx and the other dry (for bass sounds)

some people complain about not having knobs on the esq. the esq really comes alive if you've got a CV pedal. run an analog style patch in sync mode (or AM mode for ring mod type effect), use the pedal to controll OSC2's pitch, and the mod wheel to controll filter frequency. LOTS of fun. you can also route an external midi controller to virtually any parameter (which controller is specified in your master MIDI page and is somewhat limited to a few certain controllers- check the manual). so you still have 3 ways of controlling parameters in realtime.

the modulation capabilities on this thing are incredible. you can even modulate an LFO with another (or even the same) LFO, and you're not restricted to just one mod source per parameter. you can modulate the filter with a mod wheel and an LFO, while the LFO may me modulated by one of the envelopes, etc.

even many of today's medium budget "retro synths" don't give you 3 oscillators, FOUR envelopes and 3 LFO's, and even when they do you rarely get as much routing flexibility (which is not to say there aren't tradeoffs). this thing can make great sounding analog basses, evolving pads, and with creativity, sounds no other synth can replicate. most other digital synths of this period are better suited for digital type sounds but this one gives you much more. the only thing i REALLY wish it had was an option to switch the filter to highpass or bandpass, but for what you pay, you still get plenty.

the sequencer is very similar to the alesis AMT8's, although you can't mute/unmute more than one track at a time. i actually really enjoy the esq sequencer, particularly for live use because it allows some improvisation with the song structure.

last i checked, Syntaur (www.fatsnake.com~syntaur) was selling blank Eprom cartidges, as well as programed cartridges, sysex patches, and other accessories like cv pedals, etc. it's not cheap for the cartridges, but it's worth it if you don't have one, or if you go live a lot it's good to have at least 2. there's a good pc librarian online called esq135.zip that's a GREAT program to have for storing patches and sequences. i run it on an old 33mhz 486 laptop running windows 3.1 and it works great. you can even edit your patches visually on your pc and send the changes to your esq (it also works with the sq-80).

if you want a synth that can deliver descent analog sounds and also offers a lot of versatility, the esq is a phenomenal buy. with a little creativity, you can create entirely new sounds, or emulate moogs, 303's etc, depending on your programing ability. you can even make the envelope attack velocity sensitive (often overlooked on many newer retrosynths), and you can even get really wacky and do some microtonal tuning. it's got a distinctive sound that i can't imagine one wouldn't like unless they couldn't figure out how to program it well. i've found that sometimes it even has a vocal quality to it, like it's singing. it can often sound quite organic. and if you're still skeptical about using a digital synth, the filters are actually analog.

aside from the oft-mentioned usage by skinny puppy, i've also seen many synth-pop bands use the esq. i've seen Moby and Anything Box use it on stage, and there are many times where i'm quite sure i'm hearing it on a cd. for a current market price of 2-400 bucks, it's a great value and will sound more unique than many other modern retro synths, and once you learn to get around it well you'll probably prefer the esq's interface to most other interfaces. it's very intuitive.

4.5 rounded up to 5 :)

Rating: 5 out of 5 posted Sunday-May-26-02 at 19:08
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