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I happen to love my JX-3P. I got mine super-cheap, but I was ready to pay more
for it. I think the presets are suprisingly good as far as presets go, and I
like how the knobs on the PG-200 are all condensed and "right there". As far as sounds go, I mostly find myself getting slightly out of tune "eastern"
instruments out of it. I like the sustained floaty noises and bright "plink"
electronic piano sounds too. People are fond of saying this synth is thin and weak, and it is! But weaknesses
can be strenghts. If you had 3 synths going in a song, and they were all big
macho fat-ass 4-oscillator reverbed reso-pads, I think it would be pretty damn
cacophonous. It's just a part of the palette. I like the thin less-overbearing
sounds that come out of this thing. Cheap polyphony is what I needed, so I bought this. It has a limited MIDI
implementation, but I don't care. I don't really do MIDI. You can laugh at me
all you want, but I LOVE the sequencer on the JX-3P! Using onboard sequencers
makes me feel special. I program some stuff in it, and program a sequence on
the second channel of my 202 so that the gate pulse triggers 16th note advances
through the 3P's sequence. Construction-wise, I hate all of the metal buttons (I like the 808/Jupiter kind.)
and the knobs on the PG-200 slip off WAAAAY too easily, but all of mine are still
there. I do love how the PG has those nifty magnetic pads, though! It's not
going ANYWHERE! I just always have to be careful and keep it away from my computer. When playing with it, I do wonder why anyone would design a synth without
portamento. Another ADSR would be nice, too. But, it was a "lower end" synth
when it came out, and that's exactly what it is now. But it's GOOD! If ya want, you can hear two clips of me doing things with my 3P.
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