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This is more of an R.I.P. message than a review, but it is a bit of a review...
I once had a software sequencer, back in the early nineties, and I did not at all enjoy using this as opposed to a hardware sequencer. I eventually traded in the Atari for an EPS+16, which I did all of my songwriting and sequencing with until three years ago when a friend lent me his Q80 as the EPS became unreliable. I never looked back after that. Today, August 15th, 2002, my Q80 (for I purchased it from the above-mentioned pal) died. We have just finished tracking our album, and were just getting ready to go into the studio to mix, along with what we call our 'fifth band member', when the Q80 just... stopped. This is not to say the Q80 is a piece of shit just because it died. On the contrary, it is an amazing hardware sequencer, allowing us to seperate our sequenced drums from each other, have pre-sampled loops play for up to 32 bars, audition tracks seperately from each other, and it slaved very easily to our Fostex D108s (sometimes it didn't latch on properly, which is to be expected when you're having machines from 1999 work with ones from 1989). The only thing I could never wrap my head around was the motif thing Kawai tried to explain in the Q80 manual; the other thing that didn't work was the 'move' function. It didn't ever move the events, no matter how many times I tried it on different tracks.
Software sequencing is starting to look tempting, but I'm going to try to find another Q80 before I bite with modern technology.
Stef Caron http://www.methamean.com
PS I give it a 4.795 out of 5, just to set the record straight.
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