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I pretty much agree with everything that's already been said: Great, strings & pads, good organs and most of the other sounds are passable to good as well. X5Ds are currently going for $299 - $399 on EBay and, at those prices, I think it is arguably one of the stronget values out there. It's what I would call a great working musician's/gigging man's synth. It's not a Kurzweil 2600, a Motif, or a Triton but it costs only a small fraction of what the flagship synths do and it's got a range of sounds that provides everything you need (and more) to play mainsteam pop in a cover band. The sounds definitely aren't going to embarrass you at a gig. It would also be good for new-age music and I've read that a lot of Black Metal bands use the X5d too. It's got the classic D-50 and DX-7 emulations covered nicely as well. The General MIDI bank is decent which is more than I can say for many of the GM banks that I've heard. It's the lightest, most compact 61 key synth that I know of which alone scores big points with me - I sold a well-regarded Yamaha EX7 largely because it was too damn big and heavy; I don't miss it a bit.
Is the extra 2MB of memory and 32 voices of polyphony worth the extra $100 you'll pay for an X5d over an X5? In my opinion yes. IMO the M1 piano that's included in the extra 2 MB of ROM is a classic (rather than cheesey as some think it's hip to proclaim). I just think the M1 piano works well for rock and pop and it was my favorite piano sound on my Triton LE as well. The extra 2 MB of ROM also have a killer B3 sample, some useful wave-sweep samples and some beefed up synth bass sounds. Of course there's also some useless SFX samples and stupid sampled loops taking up valuable ROM space but in all fairness that's true of any entry level synth that's not only marketed to musicians but also marketed to the truly clueless who just want a toy.
The programming is fairly straightforward for anyone who's worked with multi-layer ROMpler architecture before. I've noted the muli-samples that were used to make many of my favorite factory patches and truthfully, it blows my mind the magic that the programmers were able to get coax out of the multi-samples. In a world where 32MB is standard on ROMplers it truly is amazing how well the X5D's 8 MB of sounds still rate. I think that's partially a credit to the AI2 synth engine as well as the programmers.
If you're into analog, as most synth people are, then of course you'll want a VA to compliment the X5D. I'm not going to claim that it has all the bite and analog goodness of a VA or real analog synth - It doesn't and I wouldn't expect you to take me seriously if i claimed that it did but it does have the standard analog waveforms, analog brass, filter sweeps,PWM, osc. sync., etc. that would marginally get you by for pop songs that demand analog sounds. (I mean, most people at the wedding reception you're gigging aren't going to notice how much bite the filter has or whether the resonance is just so!)
Highly recommended as a first synth, back up synth, travelling companion synth, or auxilliary synth to get that warm Korg sound in your rig.
My rating of 5 is based on the X5D's sound quality/price ratio.
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