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This review is for the rack version, which blows away the keyboard version with one hand tied behind its back. It seems to me that Novation made several design blunders with the keyboard version, but since I don't own that one, I won't go into that.
I am very happy with my BS Rack. It sounds great, is easy to program, and offers a mind-numbing array of cool features, in a very compact and STURDY package.
I use mine mainly for deep, dubby basslines, bleepy 16th-note sequences, and filtery drones (at which it is amazing). Its sound is a bit on the harsher, razory side - after all, it was designed as a techno synth - and it can do some nice leads, though as an ambient musician I don't use them very often. The oscillator sync sounds very good; it sounds just kinda cheesy for 303-ish stuff though.
When I hooked up the CV<>MIDI convertor to my hitherto unsequenced Moog, my brain exploded. Wicked cool!!! Stoopid fresh!!! It's like getting a free Kenton with your synth. (Okay, it only handles one instrument, but still, it's a hella cool extra.)
The MIDI implementation is thorough. The voice architecture and interface are well thought out. (With some synths, I wonder stuff like, "Why the hell did they include [useless feature], but no oscillator sync?!" Not so with the BSR.)
So yeah. The point is, I dig it. If you do techno (and - hmph - who doesn't these days?) you'll dig it even more. If you have a CV-controlled synth lying around that you'd like to sequence, we'll probably have to administer tranquilizers.
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