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So many people were complaining about it on the Gas-Station because it's made by Quasimidi (what a terrible name for a company), and yet there were a couple of people really standing up for it. So of course I had to check here and see the reviews. Seeing so many people with differing opinions on the sound, and reading about the step sequencer, convinced me I should look into getting one, especially since they were about to vanish from the US entirely due to Quasimidi's demise.
I was pretty sure based on the online demos that I'd enjoy the sound, and it turns out, I do. A big plus for me is the ability to program in changes in effect parameters on the step sequencer (ace for really weird flanger stepping). To me, it sounds best doing mellow ambient loops, but then I've never been one for harshly overdriven 303 either.
And if you like throwing in random or semi-random blurps and wiggles in your sounds, this is absolutely the beast to have. It actually seems custom made for my music, I do a lot of this kind of thing, so I'm quite pleased with it.
The main thing about it is, it's incredibly FUN. You can burn hours just tweaking, and come across a hundred variations that are all viable in and of themselves. It may give you a bit of option anxiety, so get ready to use your editor's ears to find the creamiest tastiest of the lot.
Sure it's lame that there are only a few waves to choose from for the 2nd and 3rd oscillators, but I don't expect I'll be using them directly very much anyhow. I've been using them in oscillator sync mode to mess with the sound of the first "VA" oscillator. Even just using a single oscillator, the phrase sequencing and effects give the sounds plenty of depth and character. Remember that people still love the TB303, and that's a single oscillator, a monosynth, with a heck of a lot less flexibility. It's not what you got, it's what you do.
Some of the waves on osc 2 and 3 sound much too ROMPLER for my taste, it's kind of annoying, but I don't plan on using these waves. I think it's really OK to accept limitations of an instrument and dedicate yourself to pulling out the stuff it does well. Since it's not the only thing in my stable, I'm not too worried. It's a great piece, and a real kickstarter for creativity.
Plus if you're doing an old-skool ambient gig, you could just show up with one of these and a minidisc full of sounds recorded on the street or in the country, and you're all set... GO REALTIME ANALOG STYLE SEQUENCER!
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