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I've owned everything from a MiniMoog on up and the Fantom XR - like every synth, has its good points and bad.
First of all - don't even THINK of doing any serious sound editing from the miniscule LCD display on this unit. Although you can access all the parameters without a computer (unlike the MotifES) but it is a royal PITA because the display is so small and there are only a few buttons on the module.
It is unfortunate when someone plays with a FantomXR in a store and then comes to the conclusion that it's nearly impossible to edit. This simply is not the case - if you use a computer for editing it's a snap to get any sound you want.... really, are you going to do live sound editing on a rack unit?? If you need tweekability in a live situation, get a keyboard version. IMNSHO - the Windows software that comes with the Fantom is excellent, if you have even a basic understanding of synths, you can do whatever you want with the Roland software without even looking at the manual - Yamaha, pay attention here.
OK, on to the sounds - which is what we're really interested in with a rack unit anyway. Tons and Tons of every sound you could want. The Roland doesn't sound as clean and precise as the Motif - but it does sound more "real" than either the Motif or the Triton. The analog synth sounds on the FantomXR are killer, phatttt city. The Hammonds have too much key-click for my liking and this really stands out if I layer the Fantom with my Triton or Motif. Rhodes sounds are some of the finest I have ever heard, period. Sax and brass sound very, very realistic - more so than my other boards. If there is a downside to the sounds on the XR it would be the strings - which to me sound grainy and flat - so much so that I won't even use them. And, as you should expect, the Fantom sounds like a Roland.
I would not really consider this a techno or a dance keyboard....... can you say "Virus"?? But it is an excellent rompler with an unbelievable amount of room for expansion boards and sampling to boot. Nice - even right out of the box.
I don't care about or have a need for a dozen simultaneous effects busses. Maybe you do, and that might be something to consider. But I have come to the point where I could care less about specs, bits and bytes, and having a bunch of "extras" that I will never use anyway. But that's my personal taste in sounds.
If I had to have only ONE synth, it would not be the Roland..... The Yamaha sounds the cleanest for studio use, the Korgs sound the best for cutting through in a live situation and the Fantom is somewhere in-between.
Bottom line - Virtually every "signature" Roland sound you ever wanted, all in a 1 space rack.
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