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I bought the D-20 brand new, back in the late 80's. Even though I feel that most of the reviews here have pretty much nailed the positive and negative aspects of this machine, I'd like to add a few comments:
1. First of all, I must say that I've used the D-20's "obsolete" sequencer for a lot of pro and semi-pro projects, long before I was able to get a computer-assisted setup. Though it lacks many facilities easily found on sequencer software packages, it's still possible to make full arrangements without any "external" assistance;
2. The sounds are, indeed, quite similar to those on the D-50, though I prefer to think about the D-20 (and the D-10 as well) as different beasts. Even though people think of LA synths as the seminal "80's sound" machines, many adventurous musicians are still using them to great effect in contemporary music(Ozric Tentacles, Eat Static, etc.)
3. An used D-20 is bloody cheap for a true worksation (and remember, the D-20 was the first TRUE workstation - not the Korg M1, since it lacks storage facilities), and if used in a creative and intelligent manner, can be very useful.
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