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When looking at the class and price of this synth, it deserves high marks. This was the first synth I purchased 17 years ago. There was no consideration of buying a P5 - if I had the money then, I would have bought the P5 instead. But for less than $2000 17 years ago, there were only a few synths to look at. In fact I had a down payment on a Juno 60, but after hearing, programming, and playing the Prophet 600 had no question that it was much more expressive, thick, and flexible to work with and I never regretted getting the P600.
You can read many of the reviews hear that talk about the poly-mod section and what you can do for odd sounds, but the beauty hear is that (for the money) you can get very close to the sounds of the 80's rock - close enough to satisfy or fool an audience. (If you got the money, go get a Prophet 5 or Jupiter 8 by all means).
It may be that because this was my first synth that I dug into the programming and tweaked the sounds over and over 'til I was happy. No this doesn't do a great B3, nor will anyone think your playing a real horn of any sort. But if you want to do Journey's Separate Ways, Foreigner's Waiting for a Girl Like You, Prince's Little Red Corvette, sounds that are what an analogue synth really does - this does great. It served me well.
There are limitations, it doesn't have all the features of the "great" 80's synths, it is not it's big brother the P5 and it is likely not going to compete with the 'modern' analogue synths from Clavia or Waldorf (though I haven't had a chance to play those). And yes, it needs to warm up before you begin a set. But if you find one at a good price and in good shape, they're great. Mine is still in my set-up and still going strong.
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