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I've got mine since 1999 and I still find programming capabilities. Due to its synthesis with samples and resonnators, you can be sure that your sounds are YOUR sounds !
Modelling is quite hard to understand, and there's nothing in the user manual to deal with it. In fact, this synth can sound great, but you generally make thin and cheap patches if you don't have precises idea at the beginning.
Controllers are great : wheels are fully assignable, keyboard is really excellent (I've sold my Fatar 'cause I prefer playing on the WSA) with easy-to-use aftertouch and great velocity response (fully adjustable).
BUT why didn't Technics use a 48 kHz sampling technology and good D/A converters ? It's, on my advice, a stupid choice since because of it the overall sounding quality is far under what it should be. My JD-800 and Wavestation sound very better. If you play vibraphones or pure waves and let them die, you clearly hear awful aliasing (bird singing). I tried to pass throught all modules (filters, resonnators, etc.) but there's nothing to do. On low level waves, you have noises. Don't know if the optional (where to find it ?) S/PDIF output solves this problem.
Nevertheless, I bring my WSA in all my gigs (gospel piano backing, funk keyboards, jazz big band) and when I work at home, it's part of all my projects. I just used to let my other synths play specific sounds.
Great machine for organs, keys in general, sound design, covers, demos and MIDI control !
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