|
All in all, the machine can handle alot of continuous tasks without the suffocation experienced by other samplers on the market today and yesterday. I have researched this sampler thoroughly before purchasing it and i've noticed that yamaha have lived up to their advertising promises about 80 percent of the way..
I have researched the "get a grip on the groove!" panphlet "yamaha a3000" and have compared it to experience with the machine as an engineer.
Ease of use: Yes they have delivered ease of use to an extent that differs from many other samplers. Almost every task eg.filtering, Enveloping etc. are visible from the front panel and a button push away. Oh yeah, and you can never get lost because the main selection screen is a button push away.
Filtering: Yes the yamaha has covered almost "more than necessary" filter types by the release of version 2.0. With 24db filters and 16 types not including the fabulous parametric realtime EQ applyable to every sample. This saves the sample by not applying destructive equalisation permanantly damaging a sound or wasting an effect bus for an "EQ" type effect...However, the filters are bright and fast and can be randomly cut off in 5 ways aswell as the resonance..
DSP tasks: Yamaha have certainly packed alot of dsp power into this unit which makes it advanced in sample editing/manipulation/effecting. So much that unfortunately it has left out a few effect perfections. There are 3 effect blocks all of which can be used in one song/program. Alot of the dsp power of the machine probably lies in the real-time control of parameters such as: EFFECT.Real-time timestrech pitchchange, which is unique only in the A3000. All other units currently support this function destructively EFFECT.Realtime dynamic compression,pitchchange. Which once again appears in most samplers as destructive editing but as a realtime effect in the A3000. FILTERS.A very handy EQ available at sample level enabling equalization to EVERY sample without using up an EFFECT or one of the 16 types of filters..
The power of the Yamaha when it comes to advanced sample editing and manipulation is self explanatory. This area is what I believe yamaha is focussed at. The EFFECT inperfections that i mentioned earlier lie in the reverberation EFFECT. All of the current halls, stages, plates are lacking the promised DSP power. The algorith is quite complicated and perfection in this area would be asking for a bit too much since the yamaha makes up for it in almost every way..Reverbs just sound a little dull, metalic and lack depth.
If you want to buy this machine as a "sampler" then you are going to definately get EVERY aspect of a "sampler". Honesty is met by yamaha who admit that even their sequencer is "no-frills" (not so advanced).Thats correct, because the A3000 is NOT a "sequencer" or an "advanced effect unit" for that matter, but the truth lies within the aspect of "sampling" which yamaha has sucessfully made possible to a far greater degree than any other sampler on the market today.
My mark out of five would have to be a decision on how the yamaha acts as an "Advanced Sampler" and nothing else since I believe the price of the unit gives you not only a "Real Sampler" but other generous bonuses such as high quality effects and a generous sequencer.
If you would like to discuss further advantages/inconsistencies of the A3000 if you are considering to buy one or already own one, please feel free to contact me at francois@morgan.net.au
|