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Pros: - clean sound with plenty of analog character - Interface is logical and conducive to work with - Keybed has ideal feel and spring to it, all other controllers are reliable, despite their being plastic - Incomprehensibly cheap pricing second-hand, maybe because it looks cheaply built to the average person, they wrongly assume it sounds cheap, which it deosn't. - Lightweight (c. 7kg) and plastic casing is tough. - big online community to help - blue
cons: - only 128 program memories - casing looks cheap and in fact is
This is a remarkable synth. At it's price s/h, it could just be a fully functional 61-key midi controller, but it also provides access to a sound engine that keeps on surprising me with an in-built virtual prophet 5, fm and some deep modulation possibilities. Its immediate strengths are for dance and electronic music, but with some effort, pads, strings and ambient sfx emerge to rival a 'warmer' k5000s. questioning why spectrasonics didn't use this synth for 'atmospheres.' I originally sold a korg z1 to buy the an1x and absynth 3. Of all those 3, the an1x is the most fun to play, and provides the most for its associated price. The z1 is much praised for its extended modulation options, but imo it lacked the character or inspiration of the an1x. Furthermore, its immediate rivals of the nords and jp8000 tend to be at least 100-200 pounds more expensive, whilst providing less of an intense synth architecture than the an1x.
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