|
The DX11 is capable of very expressive synthesis, as are all the Yamaha DX line, when used with a breath controller. The DX11 has the same sound engine as the WT11, which was the dedicated sound module sold with the WX11 wind controller. It includes the PEG (Pitch Envelope Generator) to put a slight scoop or drop at the beginning of notes, and in mono mode, the portamento will augment the feeling of playing a stringed instrument legato.
The DX11 also includes buttons for Easy Edit, which allows the DX11 to be programmed using an analog-like paradigm. This programming mode works like Yamaha's implementation of analog-subtractive-synthesis programming on the (then recently acquired) Korg's 707 and DS8. This is an easy way to tweak a sound just a bit, as it affects quite a few parameters simultaneously.
The DX11 is capable of using all the Yamaha 4-op patches/sounds (TX81Z, TQ5, WT11, etc.), including the popular "Lately Bass"/"Heavy Bass." It has a sturdy metal case, and I've not had any problems with any of the switches and connections. The build on this unit is as tank-solid as my DX7II.
Even though I'm tempted to sell it to get more modern gear, I've always backed off.
|