|
My god- I have had this little box for over a year and a half now and the results I get from programming the DX 200 are so good, it makes me wanna ditch everything and go for broke on the DX 200. Just make an old school electro/ Industrial album with nothing but the DX 200.
To be fair to Korg users, this is the only desktop I have ever owned- most of my other synths (Waldorf Q+, MicroWaveXT, Access Virus b, Yamaha FS1r, TX 802, TX 81z, K2600s, and on and on) are fine, but not as fun as the Yamaha DX 200.
But it has its limitations- namely 16 steps. However, the inner functions more than make up for what is on the outside. And that VCF is ass anyway- but this is FM, and you don't need it to make bread and butter sounds or wierd sounds. The DX7 engine will do you fine for those cuckoo sounds you might wanna stumble into.
To add on to what another user said- the key word is amplitude modualtion. Take the AM on the lfo and crank it to suit your needs. Make a synth pattern. Turn the lfo rate down- and amplitude modulate one of the operators. I have stumbled on things I knew not before I met the DX 200- simply put FUNK ON A BROOM STICK. Yes, you can make the DX 7/ DX 200 fart and flirt if you are patient enough- it took me nearly eight years of on again off again love relationship with Yamaha DX 7 synthesizers.
My only wish, and it is too bad people want synths that are a knobs tweak away from oohhh-weee! good synth timres. The DX 7/ 200 and FS1r was a step in the right direction from Yamaha in an overwhelmingly banal synth market.
What I would like to see is a cross between a K2600s (32 layers in a program and 16 parts multitimbral) and a Q+ and an FS1r. Every layer FM (or AFM) and tweakable. Impossible yes. But I can always hope.
To all those that slag the beautiful DX 200, please read the manual. It is simple and a delight to read. I have had ZERO problems in downloading uploading anything for this synth.
One more thing. I applaud Yamaha for bringing back the DX 7 in various forms, but hows about another DX 200 with: four parts synth with 4-op/ 6-op capabilities, a killer drum machine (on the DX 200 it is rudimentary but still very useful), an output switch to change bits down like on the CSx6 and some inputs...
|