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As a owner of a Roland System 100 (modular), Juno 106, Oberheim Matrix 1000, Yamaha CS1x, Casio CZ3000, Moog Micromoog...ect I feel I'm in a position to compare the DX7 to these other "classic" beasts. First thing I want to say is that when I was a little kid (15years ago) The DX7 was considered to be THE synth. I remember that in the music shop how people would complain of the "brightness" "tinnynes" "Thinness" of anolog! The DX7 was supposed to be the ultimate, and anolog for the gargage bin. It all seems a bit ridiculous now, but now I feel the "anti" DX7 feeling has become the same kind of bull argument used against anolog back then. For a start, a lot of the presets in the DX7 suck- that is for sure. But a look on the net at 1000's of sounds programmed by top synth programmers will cure this! I have also programmed myself ultra realistic double bass (better than samples) harpsichord, reasonable strings (supposed to be impossible) The acoustic piano sounds very strange, almost like its a sound coming off a wax cylinder! Now I would have said that sound was unusable, because play a chord and the sound is terrible. But I noticed that at the end of the Nine Inch Nails song, "closer" (You know- I wanna f**k you like a animal) this odd piano sound is there- and it actually sounds really good! This just shows you that it pays to fool around with sounds sometimes WHILE your song is playing. You may be suprised how odd or thin sounds sound great "in the mix". And that is a good rule for any synth. Overall, the DX7 is a VERY powerful synth, and if you download/program your own sounds, it does'nt even sound dated. Bass, brass, woodwind (clarinet) sounds are much more realistic than ANY hyped synth that has been released since. I consider it a kind of stable, weird digitar modular synth- in fact I like it even more than my anolog Roland System 100. That might be against the fashion of the minute to say that, but who gives a s**t!? Its now up to the young kids to show those old keyboardists how they threw away good keyboards for stupid low prices.
These kids will show them all again just like they did with the TB-303 in the late 80's. At that time the TB was considered a odd little box that produced too few notes (1), did'nt sound like a bass guitar (like it was supposed to), lacked midi, had a "out of date" sequencer and sounded too "synthetic" and 70's!
Don't forget too the new FS7 "soft" DX7. Sounds good and you can download a free "cracked" version from WINMX or whatever. I still have my DX7II though for now. Its much better to gig with, and the softsynth does'nt come with the world's best action synth keyboard!
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