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Though the interface at times is awkward, the sampling features minimal, The SCSI agonizingly slow- The Keyboard is still worth it. This is not a machine for all yall Reason and Abelton Live cats! This is some 1998 flavor!
Limitations force you work around them in creative ways...I am not condoning faulty manufacturing, or engrandizing serious infrastructural faults in the EX, but I am saying that these roadblocks can actually be oppurtunities for you as an artist.....
People Wax poetic about the sounds too much, they're good, they do have that "acid-dipped" flavor, but sounds are only as good as you orchestrate them- Don't be so Materialisitc!
Sampling is Limited. If you want a 12bit sound, resample then...if you wanted even lower-bit rate then resample the resample.....Don't loop them in Sample mode, trust that you can BPM match enough to have the sequencer roll-over your loops for you...
Slow SCSI does really suck though, no way around it since FLash Rom aint winning the 50 yard Dash anytime soon.
The EX5 is an incredibly flawed, but equally as powerful and unique. I know I can make records with even the stock sounds since no one really has used this keyboard that much, at least compared to the Triton or something where you'd hear a Korg patch in every song.
It has Problems, But do you really wanna' be another beat-maker with an MPC?
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