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Indeed comparable, in terms of routing capability, to the Digitech. And, indeed, a much better unit. First of all, it's much warmer sounding - doesn't have that high-end tin-can feel of a lot of Digitech units. It's an equal in the MIDI department as well, with up to 8 assignable CC's (assigned from within the parameter menu while editing effects, instead of having it's own seperate editing page like the Quad) and LFO's. It has all the standard types of reverb, various delays, chorus (8 voice), flanger, phaser, tremolo (can be made to sound like a ring modulator at high rates), vibrato, auto-pan, rotary speaker (albeit not a very convincing one), pitch-shift, vocoder, VCF+distortion, amp simulator, compressor, limiter, gate, upward and downward expander, parametric EQ, rumble filter, Van Der Pol filter... not a lot that you can't do with this unit, and considering when it was made, it was WELL ahead of it's time. I know a fair number of world-class studio owners who still have these in their racks. The DP/4 also gives you some nice features that only a synth manufacturer would think to put in an FX processor, such a parameter in all the modulation effects that allows you to put the LFO out of phase (for wider/fatter sounding sweeps)... all in all, a VERY thorough unit with a myriad of possibilities, and a lot better sounding than anything else to try it's hand at "quad" processing since.
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