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Here it is, the year 2000 and I still love my 309. 5 separate channels covering kick, snare, HH, percussion, and synth. Add the Audio Expansion unit and you can extend the synth section another channel (double it up) or use the expansion to run an external audio source such as a CD through it and apply the filters to that source (very cool). The kick, snare, HH, and percussion channels have there own independent tone, decay, cutoff, resonance controls while the synth (bass lead) section has the additional glide, ADSR, envolope mode, and accent controls. Each section's sounds can be tweaked using internal parameters and saved - pretty good even tough you can't name these (you have to live with the 309's assigned sound number). Using the 309 as a sound module is fairly easy. Each section gets its own midi channel based on the global channel set in the unit. Say the glocal is channel 1, then the kick, snare, HH, percussion and synth would be channels 1,2,3,4,5 respectively. If the global is set to channel 2, then they would be 2,3,4,5,6. The audio expansion adds another channel.
Programming is easy using the drumgrid. Each section can have it's own number of measures. This is pretty neat. For example, say your snare pattern goes 2 measures before repeating, but your HH only needs 1 measure. The HH pattern will repeat for the length of the snare pattern. If you didn't want the HH to repeat for the 2nd measure, just expand the HH to 2 measures and leave the 2nd measure empty. You can also record parts in real time if you're good enough. Even if you not, there's a quantize feature to smooth things out along with a groove feature to use in either case. In addition there's a master track that records any knob (continuous controller) movements for any part. Simply press the select button for the desired section and turn the knobs, it will combine this with your patterns (overdub). The syhtn section does not require you to hold down its select button, its the default (as it should be). You can do this far all tracks/sections independently.
Built-in effects include reverb, chorus, flanger, and EQ. There's an OverBlast knob to crank it up and push the bass over the edge also. There's 4 audio outs (or 2 stereo) that each part can be assigned to. There's even an jack input for a footswitch!
The 309 will dump sysex, so you can backup your work to a computer. If you set local to off and solo a channel while hooked into a sequencer, you can record that pattern/song into your sequencer. You can also slave or master to your sequencer.
The 309 DOES sound good and could be used for a variety of genre.
I won't review the sounds in picky/purist detail. That's just plain stupid. While I think 309 holds in own in this regard, I firmly believe that anyone with some talent and imagination can make something good regardless of the sound. Hell, there's plenty of good (and affordable) outboard gear to suplement your sound if you need too.
The manual sucks but the unit is intuitive enough to overcome that shortcoming on Quasimidi's part.
I give this unit 5 out of 5 for being a complete package loaded with applaudible features along with solid workmanship and design!
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