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The other day, a friend of mine who works at Guitar Center and I, put a lock-down on the PA Room so we could tryout the new NordIII, along with an MS2000 on the resident Macrotech3600/ JBL rig they have.
My buddy was excited about the Nord, and I knew that for $2300 it would be a cool synth. But I wanted to see how hard an $800 VA could hit the pavement. Let me tell you.....within 4 minutes crew from the warehouse were coming over to see what the hell was going on. The Nord at very low frequencies WAS able to "fill in the cracks" better than the MS2000, and it overall had a smoother, rounder sound. We were able to dial in triangles that were pure subsonic energy. Something only a PA with real air-moving power can reveal.
But the MS, oh the MS. Were talking pant-shaking, ceiling-tile dropping, low-end here folks. Talk about techstep heaven. This thing will eat 18's for breakfast, and shit smoked voice coils for dinner. No it can't always give you a really ROUND tone, but it will give you low throbbing subbass with lots of top-end character. Many people think the filters are lame. Personally I felt like I had the power to take-out the sub cabinets one minute, then whip the cut-off around, so I could bury the horns the next. "Crappy Presets"?. I'm not sure what it is. Maybe people just come from different backgrounds, but man the presets I was using sounded pretty fucking great to me. Adjusting the envelpes and filter CO was usually all we were doing. There's a big issue about the low polyphony, but that never seems to be mentioned with other synths. Maybe the standard for VA's in peoples' minds is at least 8 or 16 notes poly. What I need right now is a bass synth with character, and if you can't get that out of an MS 2000, especially if you're making harder forms of techno, you need to put a little more effort in. yes it is a little light-weight, but then again so is a Pro-One, and people love them. An MS won't break on you every week either. Personally, I'd be confident enough to tour with an MS, and that's tough enough for me.
many people might read this and say "everything sounds good loud." But I'd argue by saying "everything sounds better full-frequency" which is a definite plus especially if your tryout on an MS included a set of those tiny powered Yamaha's the music stores seem to love.
In the end, I got kicked off the MS2000 by my friend, and the Nord was left to sit the rest of the evening. I'm converted. I was one of those that used to say an MS was "essensially two Electribes bolted together." but now after my recent enlightenment, I'm on the brink of buying one. With a little luck maybe I'll be happier with it a year from now than some people have.
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