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Great to see a forum still around discussing Kurzweil 250s :)
I have had two K250 RMXs since the early 1990s and still use them a lot these days - especially when I need to do wierd stuff such as create a crash cymbal which uses the envelope & other charateristics of another instrument, such as a Tenor Sax, or morph up some bizzare soundtrack pads or sfx - lovely tool for this type of work.
Its other brilliant aspects of course, include its fender rhodes (especially with tremolo), its clavs, horns and accoustic piano.
Even though I rely a lot these days on the Quantum Leap Symphonic Orchestra product for much of my orchestral work, the good old K250 kicks butt and always comes in very handy for a whole host of things.
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